Former high school lab partners Marshall and Frances begin to unravel a conspiracy involving big pharma and the federal government to suppress knowledge of a rare mushroom that may hold the key to curing all the world’s diseases.

An easy-going man ensures that the spark in his marriage stays strong by always apologizing and opting for the path of least conflict in his relationship. When his wife becomes pregnant and wishes to have the baby, he does not offer resistance, but is also not ready to be a father. How will their relationship evolve?

In this early work, Jonas translates her performance strategies to video, applying the inherent properties of the medium to her investigations of the self and the body. Jonas performs in a direct, one-on-one confrontation with the viewer, using the immediacy and intimacy of video as conceptual constructs. Exploring video as both a mirror and a masking device, and using her body as an art object, she undertakes an examination of self and identity, subjectivity and objectivity. Creating a series of inversions, she splits her image, splits the video screen, and splits her identification within the video space, playing with the spatial ambiguity of non-reversed images (video) and reversed images (mirrors). Though Jonas’ approach is formalist and reductive, her performance reveals an ironic theatricality. Illustrating the phenomenology of video as a mirror, Left Side Right Side is a classic of early performance-based, conceptual video. (Letterboxd)

At 18, fresh from high school, Marina, Ignacio, Adam and Mimi, school mates bonded by fate, shared a dream about adult life, a dream of fame, success, perfect skin and that one endless, true love that, surely, was waiting just around the corner for each one of them. But 30's arrived, and none of the sweet promises of youth was fulfilled. Alone, failed and frustrated, all four are forced to stop and look around to try to understand where it all went wrong, and find an emergency fix for their lives, before it's too late, and happiness escapes through their fingers forever. Secondary Effects is the bitter coming of age comedy that follows their steps in the search for lost dreams, lost hair and good sex, at least, if true love turns out to be a mirage.

"Blood Effects" a mockumentary by film maker Kris Black, is a cross between "Paranormal Activity" and Christopher Guest's "Best in Show". Presented as a "movie-within-a-movie", veteran Bruce Reisman produced Black's scathing satire of Hollywood horror movies, where reality ties itself up with fantasy, and the results are both humorous and horrifying.

After the loss of their father, two estranged sisters reunite with their mother at their enchanting family lake house and find that the secret to overcoming tragedy and rebuilding hope lies in their ability to look deeper at themselves.

After moving to Boston from Virginia, to spy on his sister who just started college, Boyd finds himself working for the student union where he raises hell more often than he should.

Travis Marks and Wes Mitchell are two partners who – apart from their polarity and odd couple behavior – have a seven-year track record as the Los Angeles Police Department's best detectives in the Robbery-Homicide Division. Since their constant bickering is interfering with work, their new-age captain – who found counseling changed his life – sends them to couples' therapy.

This movie contains three short stories dealing with the theme of homosexuality. In "A Friend of Dorothy", a woman joins the Navy during the 1950's and discovers lesbianism. In "Mr. Roberts", a teacher in a 1970's classroom struggles with his closeted gay status. Finally in "Amos and Andy", a father wrestles with his own emotional acceptance of a present day wedding between his son and another man.

After moving to Boston from Virginia, to spy on his sister who just started college, Boyd finds himself working for the student union where he raises hell more often than he should.